Natale Adgnot, Reflex Dispersion Study, 8" x 6"
Medium: Ink, plastic, acrylic on panel
Year: 2020
Size: 8 x 6 x 4 inches
Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.
Medium: Ink, plastic, acrylic on panel
Year: 2020
Size: 8 x 6 x 4 inches
Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.
Medium: Ink, plastic, acrylic on panel
Year: 2020
Size: 8 x 6 x 4 inches
Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.
