Kal Mansur, Blue Land - Escape Violet Two, 48" x 48"
Medium: Acrylic and resin on panel, white aluminum frame
Year: 2022
Size: 48" x 48" x 2"
This painting is part of Kal Mansur's Land Escape series. A dynamic surface is built with thick impasto layers that are washed over with translucent glazes. Liquid pools in valleys and falls away over edges. Embedded circles shift in and out of monochromatic fields of colour, inundating the work with changing reflections. This painting starts to bloom as one walks around it.
Through this series Mansur mines the possibilities within abstraction, making a case for its plural nature by creating potent modes of interference in painting. Their mode of production mimics the creation of land itself: geographic layers are slowly built over time, excavated, drilled upon, and subsumed. Painting on large-scale panels, Mansur's abstractions recall enveloping aerial landscapes.
This artwork ships worldwide.
Medium: Acrylic and resin on panel, white aluminum frame
Year: 2022
Size: 48" x 48" x 2"
This painting is part of Kal Mansur's Land Escape series. A dynamic surface is built with thick impasto layers that are washed over with translucent glazes. Liquid pools in valleys and falls away over edges. Embedded circles shift in and out of monochromatic fields of colour, inundating the work with changing reflections. This painting starts to bloom as one walks around it.
Through this series Mansur mines the possibilities within abstraction, making a case for its plural nature by creating potent modes of interference in painting. Their mode of production mimics the creation of land itself: geographic layers are slowly built over time, excavated, drilled upon, and subsumed. Painting on large-scale panels, Mansur's abstractions recall enveloping aerial landscapes.
This artwork ships worldwide.
Medium: Acrylic and resin on panel, white aluminum frame
Year: 2022
Size: 48" x 48" x 2"
This painting is part of Kal Mansur's Land Escape series. A dynamic surface is built with thick impasto layers that are washed over with translucent glazes. Liquid pools in valleys and falls away over edges. Embedded circles shift in and out of monochromatic fields of colour, inundating the work with changing reflections. This painting starts to bloom as one walks around it.
Through this series Mansur mines the possibilities within abstraction, making a case for its plural nature by creating potent modes of interference in painting. Their mode of production mimics the creation of land itself: geographic layers are slowly built over time, excavated, drilled upon, and subsumed. Painting on large-scale panels, Mansur's abstractions recall enveloping aerial landscapes.
This artwork ships worldwide.
