Natale Adgnot, Appeal to Vanity (Peacock Square), 30" x 30"
Prices are in USD
To acquire this piece in Canadian dollars, contact the gallery.
Medium: Acrylic, ink, enamel on thermoplastic and panel
Year: 2022
Size: 30 inches (diameter)
Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.
Prices are in USD
To acquire this piece in Canadian dollars, contact the gallery.
Medium: Acrylic, ink, enamel on thermoplastic and panel
Year: 2022
Size: 30 inches (diameter)
Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.
Prices are in USD
To acquire this piece in Canadian dollars, contact the gallery.
Medium: Acrylic, ink, enamel on thermoplastic and panel
Year: 2022
Size: 30 inches (diameter)
Natale Adgnot employs patterns and systems to investigate human vulnerability to dogma. As she says, “Like solving puzzles, I set arbitrary rules and follow them to their logical conclusions.” Hovering between drawing and sculpture, the compositions are defined by repetitive mark-making. Each piece begins with arbitrary marks which are subsequently codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The resulting configurations, which only reveal themselves in the course of executing the rules, alternate between organic shapes and geometric forms that evoke the irregular rhythm of stalactites and stalagmites.